Sembla que Cecília donà la casa de Roma per fer-ne una església (segle III). A partir del segle VI se li agraí convertint-la en patrona dels cantors i músics: ‘Tothom investiga com cal cantar a Déu. Canta exultant. Què és cantar amb exultació? Entendre que no es pot explicar amb paraules allò que es canta ànima endintre’ (Sant Agustí, Sermó I).
Acolliu, Senyor, les nostres súpliques i escolteu-nos, bondadós, per la intercessió de Santa Cecília.
Artist Harriet Burden, consumed by fury at the lack of recognition she has received from the New York art establishment, embarks on an experiment: she hides her identity behind three male fronts who exhibit her work as their own. And yet, even after she has unmasked herself, there are those who refuse to believe she is the woman behind the men. Presented as a collection of texts compiled by a scholar years after Burden's death, the story unfolds through extracts from her notebooks, reviews and articles, as well as testimonies from her children, her lover, a dear friend, and others more distantly connected to her. Each account is different, however, and the mysteries multiply. One thing is clear: Burden's involvement with the last of her 'masks' turned into a dangerous psychological game that ended with the man's bizarre death. This is a polyphonic tour de force from the internationally acclaimed author of What I Loved, an intricately conceived, diabolical puzzle that explores the way prejudice, fame, money and desire influence our perceptions of one another. Emotionally intense, intellectually rigorous, ironic and playful, The Blazing World is as gripping as it is thought-provoking.