La pintura mural rom\u00e0nica a l\u2019Alt Urgell i Cerdanya presenta tots els conjunts pict\u00f2rics que coneixem d\u2019aquests comarques, conservats in situ o en institucions muse\u00edstiques. De l\u2019Alt Urgell destaquen l\u2019absis de Sant Pere de la Seu d\u2019Urgell, extraordinari, que obre la sala d\u2019art rom\u00e0nic del MNAC, i el de Sant Vicen\u00e7 d\u2019Estamariu, notabil\u00edssim, conservat in situ, aix\u00ed com l\u2019espl\u00e8ndida decoraci\u00f3 de la capella de Santa Caterina de la catedral d\u2019Urgell, dispersa en tres museus diferents. De la Cerdanya sobresurten el conjunt de Sant Andreu de Baltarga, suara restaurat, del Museu Dioces\u00e0 d\u2019Urgell, i el de Sant Rom\u00e0 de C\u00e0ldegues, in situ, com els de Sant Juli\u00e0 d\u2019Estavar i Sant Andreu d\u2019Angostrina.
La lectura d\u2019aquest patrimoni, testimoni del seu temps, es presenta per comarques, estil i cronologia, amb breus introduccions, on es destaca la influ\u00e8ncia de la catedral de la Seu d\u2019Urgell i del monestir de Sant Serni de Tav\u00e8rnoles, que reflecteixen els corrents art\u00edstics principals del pa\u00eds, des del 1100 ns ben entrat el segle XIII.<\/p>\n","protected":false},"excerpt":{"rendered":"
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