En el verano de 1604, pr\u00f3ximo a cumplir los cincuenta y siete a\u00f1os, Miguel de Cervantes entregaba al librero de la corte espa\u00f1ola el manuscrito de una obra suya a la cual hab\u00eda dado el t\u00edtulo El ingenioso hidalgo don Quijote de la Mancha, y que casi cuatro siglos despu\u00e9s sigue cont\u00e1ndose entre las excelsas del genio humano. Autor de otras obras espl\u00e9ndidas, sus Novelas ejemplares, su Persiles y Sigismunda, es la fama de su Quijote lo que le ha elevado en la estimaci\u00f3n universal a la altura de los m\u00e1ximos creadores literarios, al lado de Homero, Shakespeare y Dante. Y, adem\u00e1s, con esta singularidad a su favor: mientras que Homero, Shakespeare y Dante se expresan en g\u00e9neros literarios consagrados -la epopeya, el drama, la poes\u00eda medieval- Cervantes proyecta el poder de su fascinaci\u00f3n e influencia sobre la \u00e9poca moderna como el creador del g\u00e9nero que impl\u00edcitamente la refleja, el g\u00e9nero que es a la vez imaginaci\u00f3n y cr\u00edtica, relativista y realista: la novela moderna. (…) el Quijote no es s\u00f3lo esta obra protot\u00edpica de un g\u00e9nero multiforme; es tambi\u00e9n una gran creaci\u00f3n po\u00e9tica que ha obrado en el esp\u00edritu del hombre moderno con la fuerza irresistible de los mitos y s\u00edmbolos m\u00e1s profundos de su destino.(De la Introducci\u00f3n de Luis Andr\u00e9s Murillo)<\/p>\n","protected":false},"excerpt":{"rendered":"
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