Un relato in\u00e9dito de Sylvia Plath, la escritora que sigue fascinando generaci\u00f3n tras generaci\u00f3n, ilustrado por M\u00f2nica Bonet y con ep\u00edlogo de Mariana Enriquez. Labios del color de la sangre, el sol torn\u00e1ndose rojizo en el ocaso gris, cuervos que salen desbandados ante unas ruedas de tren que traquetean \u00abculpa, culpa, culpa\u00bb: la extra\u00f1eza inunda el vag\u00f3n que lleva a Mary Ventura hacia el noveno reino. \u00abPero \u00bfqu\u00e9 es el noveno reino?\u00bb, le pregunta a una mujer de ojos azules y piel arrugada. \u00abEs el reino de la negaci\u00f3n, de la voluntad congelada -responde-. No hay retorno posible.\u00bb In\u00e9dito todo este tiempo, Sylvia Plath escribi\u00f3 este misterioso relato cuando ten\u00eda veinte a\u00f1os. Como apunta Mariana Enr\u00edquez en el ep\u00edlogo a esta edici\u00f3n, el hallazgo suma ahora una pieza m\u00e1s al rompecabezas de una escritora que lo ha sido todo para todos. Rese\u00f1as:
\u00abEl relato contiene el germen de la escritora en la que se convertir\u00eda Plath. […] Mary Ventura y el noveno reino es el tipo de historia que a menudo se describe como on\u00edrica, pero est\u00e1 m\u00e1s cerca de la experiencia de estar atrapado en una pesadilla. Una cereza llega con tu ginger ale, y es tan roja que debes estar so\u00f1ando. Un hombre acu\u00f1a tu billete, y es tan aterrador que debes despertarte.\u00bb
The New Yorker \u00abLa historia es inesperada y astutamente conmovedora. […] Es descaradamente freudiana (y la misma Plath no confiaba en su valor), pero si se analiza cuidadosamente, ofrece una nueva perspectiva sobre c\u00f3mo y por qu\u00e9 leemos a Plath hoy en d\u00eda.\u00bb
The New York Times<\/p>\n","protected":false},"excerpt":{"rendered":"
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