Fruto de un dilatado proceso de redacci\u00f3n, las aproximaciones de Carolyn Richmond a El jard\u00edn de las delicias de Francisco Ayala tienen un car\u00e1cter excepcional por la estrecha relaci\u00f3n, tanto afectiva como literaria, que uni\u00f3 a la autora a quien fuera su esposo; pero tambi\u00e9n, y sobre todo, por el rigor y la lucidez de sus planteamientos, as\u00ed como por la originalidad de su enfoque y desarrollo. M\u00e1s que un an\u00e1lisis de corte tradicional, D\u00edas felices ofrece una indagaci\u00f3n abierta en la \u00faltima, y m\u00e1s profundamente personal, obra de invenci\u00f3n del escritor granadino, con la que dialoga acerca de temas como el arte, el tiempo y la relaci\u00f3n entre literatura y realidad. En \u00faltima instancia, sugiere Richmond, tanto ella como el propio Ayala y sus lectores somos c\u00f3mplices en la recreaci\u00f3n de los recortes, di\u00e1logos y evocaciones preservados en esa ?arca de palabras?.<\/p>\n","protected":false},"excerpt":{"rendered":"
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