En D\u00e9odat \u00e9s el nad\u00f3 m\u00e9s lleig del m\u00f3n, per\u00f2 a mesura que creixi demostrar\u00e0 que posseeix una ment privilegiada. No obstant aix\u00f2, tindr\u00e0 dificultats serioses per comprendre els misteris de l’amor. La Tr\u00e9mi\u00e8re, per contra, \u00e9s una nena d’una bellesa captivadora, per\u00f2 es mostra passiva, nom\u00e9s parla quan \u00e9s imprescindible i no sembla que reaccioni davant les provocacions. I, com que els pols oposats s’atreuen, els inadaptats D\u00e9odat i Tr\u00e9mi\u00e8re estan destinats a trobar-se. Reprenent la f\u00f3rmula que va utilitzar fa uns anys a Barbablava, Am\u00e9lie Nothomb recorre a un conte de Charles Perrault i el transporta al m\u00f3n actual a manera de faula moderna gens innocent. Clarivident i elegant com sempre, amb la seva flu\u00efdesa narrativa, l’autora explora les incerteses de la infantesa i l’adolesc\u00e8ncia, aborda la difer\u00e8ncia i les dificultats per adaptar-se d’aquells que s\u00f3n singulars i reflexiona sobre la veritable naturalesa de l’amor i de la bellesa. En Riquet del plomall \u00e9s una nova mostra del talent inesgotable de l’escriptora belga, un nou pas de rosca enginy\u00f3s, po\u00e8tic i cr\u00edtic a un conte de fades de tota la vida. En paraules de l’autora, \u00abl’art t\u00e9 una tend\u00e8ncia natural a concedir un lloc de privilegi al que \u00e9s extraordinari\u00bb.<\/p>\n","protected":false},"excerpt":{"rendered":"
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