Enrique Jardiel Poncela (Madrid, 1901-1952) fue uno de los renovadores de la literatura humor\u00edstica espa\u00f1ola. Escribi\u00f3 novelas sat\u00edricas y obras teatrales que a\u00fanan misterio y absurdo. Entre las primeras se encuentran Amor se escribe sin hache (1929), \u00a1Esp\u00e9rame en Siberia, vida m\u00eda! (1930) y Pero… \u00bfhubo alguna vez once mil v\u00edrgenes? (1931); y entre las segundas, Angelina o el honor de un brigadier (1934), Un marido de ida y vuelta (1939) y Elo\u00edsa est\u00e1 debajo de un almendro (1940).
Autor de numerosas \u00abm\u00e1ximas m\u00ednimas\u00bb, Jardiel Poncela se inici\u00f3 como aforista en la prensa de los a\u00f1os veinte, bajo el influjo de Ram\u00f3n G\u00f3mez de la Serna y Oscar Wilde. \u00abSin Ram\u00f3n -lleg\u00f3 a decir- muchos de nosotros no ser\u00edamos nada\u00bb. Descre\u00eddo, ir\u00f3nico y sarc\u00e1stico, aforismiz\u00f3 sobre la pol\u00edtica, el matrimonio, las mujeres, la amistad, la experiencia y el p\u00fablico; en resumidas cuentas, sobre la seducci\u00f3n y el poder, o lo que viene a ser lo mismo, sobre el amor y la muerte.
Los rasgos esenciales de su obra toda fueron la imaginaci\u00f3n y el ingenio. En el pr\u00f3logo a su novela Pero… \u00bfhubo alguna vez once mil v\u00edrgenes?, Enrique Jardiel Poncela resume su actitud esencial frente el mundo de esta manera: \u00abMe r\u00edo de todo, porque todo es risible. Me r\u00edo de m\u00ed mismo, porque formo parte de ese todo\u00bb.<\/p>\n","protected":false},"excerpt":{"rendered":"
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