Existe cierto consenso en considerar a Julio Camba (1884-1962) uno de los mejores periodistas espa\u00f1oles del siglo XX y, probablemente, el mejor corresponsal en el extranjero durante las primeras d\u00e9cadas de la pasada centuria. A pesar de esa certeza, su car\u00e1cter huidizo y reservado nos ha impedido acceder a su intimidad, a ese ego perecedero que \u00e9l mismo se esforz\u00f3 en esconder, bajo la m\u00e1scara de su archiconocido personaje. Al margen de los datos autobiogr\u00e1ficos que aportan las breves memorias de su juventud argentina y de otros dispersos en los varios miles de art\u00edculos que public\u00f3, carecemos de otros testimonios que nos ayuden a adentrarnos en su esquiva personalidad. Esta biograf\u00eda reconstruye el itinerario de Camba a trav\u00e9s de un relato \u00e1gil y fluido, pero excelentemente documentado, en el que Francisco Fuster ha abordado, de manera conjunta y equilibrada, la narraci\u00f3n de la peripecia vital del protagonista y el an\u00e1lisis pormenorizado de su obra. En a\u00f1os convulsos, la virtuosa pluma de Camba emergi\u00f3, por encima del resto, para convertirlo no en un simple articulista, sino en un excepcional cronista de su tiempo: un maestro del oficio que contribuy\u00f3 a pintar, en negro sobre blanco, el verdadero retrato de su \u00e9poca.<\/p>\n","protected":false},"excerpt":{"rendered":"
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