Este art\u00edculo es una de las radiograf\u00edas m\u00e1s agudas e irreverentes de la cultura americana de fin de siglo, en la que se entremezclan la familiaridad, el asombro y una mordacidad descabellada. Foster Wallace elabora en Algo supuestamente divertido que nunca volver\u00e9 a hacer una postal gigantesca basada en su experiencia en un crucero de lujo por el Caribe. Lo que a primera vista parece ser un simple viaje \u00abpara relajarse\u00bb, en manos de un humor delirante y un cinismo corrosivo acabar\u00e1 convirti\u00e9ndose en el horror m\u00e1s absoluto. Foster Wallace reflexiona sobre la presi\u00f3n para relajarse y disfrutar y c\u00f3mo las indulgencias del viaje le llevan a una introspecci\u00f3n autoflagelante. La cr\u00edtica ha dicho…
\u00abLa obra de no ficci\u00f3n m\u00e1s brillante y divertida que se ha escrito en los \u00faltimos a\u00f1os.\u00bb
John Glassie, Time Out New York \u00abAnimado por una prosa maravillosamente exuberante […] este volumen confirma al se\u00f1or Wallace como uno de los talentos m\u00e1s destacados de su generaci\u00f3n.\u00bb
The New York Times \u00abWallace escribe con una intensidad que transforma un reportaje err\u00e1tico en una forma sui generis de filosof\u00eda.\u00bb
Kirkus Reviews \u00abSu instinto para reproducir lo coloquial avergonzar\u00eda a maestros como Pynchon y DeLillo, y la sobriedad humana que confiere a sus temas, de ficci\u00f3n o de no ficci\u00f3n, deber\u00edan ser un modelo para cualquiera que escriba cr\u00edtica cultural, tanto en la forma de relatos como en ensayos como estos.\u00bb
Publishers Weekly<\/p>\n","protected":false},"excerpt":{"rendered":"
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