Torna l’addicci\u00f3 liter\u00e0ria m\u00e9s potent esperada per m\u00e9s de 15 milions de lectors: l’apassionant nova investigaci\u00f3 de Marcus Goldman i el sergent Perry Gahalowood, amb el retorn de Harry Quebert. \u00abUn tsunami de girs i de cops de volant, un Him\u00e0lia de suspens, un Everest d’emoci\u00f3\u00bb. RTL \u00abNo hi ha manera de deixar anar l’\u00faltim t\u00edtol de Jo\u00ebl Dicker (…). Una aventura apassionant\u00bb. Le Parisien \u00abS\u00e9 qu\u00e8 has fet\u00bb. Aquest missatge, trobat a la butxaca dels pantalons d’Alaska Sanders, el cad\u00e0ver de la qual va apar\u00e8ixer el 3 d’abril de 1999 a la vora del llac de Mount Pleasant, una petita localitat de New Hampshire, \u00e9s la clau de la nova i apassionant investigaci\u00f3 que, onze anys despr\u00e9s de posar entre reixes els seus presumptes culpables, torna a reunir l’escriptor Marcus Goldman i el sergent Perry Gahalowood. A mesura que aniran descobrint qui era realment Alaska Sanders, ressorgiran els fantasmes del passat, i entre ells, especialment, el de Harry Quebert. Una nova intriga liter\u00e0riament addictiva, amb la inconfusible estructura de temps diversos, amb girs de volant imprvistos i un ritme trepidant que s\u00f3n el segell de Jo\u00ebl Dicker, \u00abun fenomen planetari\u00bb (Babelia). La cr\u00edtica n’ha dit:
\u00abAl centre de la teranyina, teixida per un Dicker en estat de gr\u00e0cia, aquesta novel\u00b7la demostra que l”escriptor est\u00e0 m\u00e9s avesat que mai en l’art de construir un suspens excel\u00b7lent. […] Un estil potent que mant\u00e9 un ritme excepcional.\u00bb
Jean-R\u00e9mi Barland, La Provence \u00abTenim best-seller a la vista\u00bb.
Lib\u00e9ration Nits curtes, despertades dif\u00edcils; no digueu que no us hem avisat: \u00e9s impossible no continuar llegint la nova novel\u00b7la de Dicker. […] Amb el mateix talent de sempre, ens retrobem amb els fantasmes del passat i caiem rendits davant una aventura emocionant i gens predictible\u00bb.
Le Parisien \u00abUna novel\u00b7la meravellosa que ens torna a submergir en l”univers de Harry Quebert. Una narraci\u00f3 minuciosa i una atmosfera \u00fanica que far\u00e0 les del\u00edcies de tots els lectors\u00bb.
La Fringale Culturelle \u00abUn thriller que demostra una vegada m\u00e9s que Dicker domina a la perfecci\u00f3 l’art del suspens. […] Amb un estil simple, efectiu i una narraci\u00f3 impecable, aconsegueix mantenir embruixat el lector al llarg de gaireb\u00e9 sis-centes p\u00e0gines. Nou \u00e8xit a la vista!\u00bb.
A. M., Version Femina \u00abLa llista de premis literaris est\u00e0 ben atenta i amb una actitud expectant la darrera obra de Dicker\u00bb.
Louis-Henri de La Rochefoucauld, L’Express \u00abDicker sap de qu\u00e8 parla, i nosaltres, com a lectors, volem tornar a bressolar-nos en aquesta can\u00e7\u00f3 de la qual ja coneixem la tornada. Ens deixem portar amb avidesa fins al cor d’una investigaci\u00f3 on, molt r\u00e0pidament, no nom\u00e9s cauen les m\u00e0scares, sin\u00f3 que es desvetllen els secrets de cadasc\u00fa, com en una nina russa\u00bb.
Nathalie Depuis, Elle \u00abArriba el fenomen Dicker. El successor de Stieg Larsson i E. L. James: entreteniment en vena\u00bb.
Antonio Lozano, La Vanguardia<\/p>\n","protected":false},"excerpt":{"rendered":"
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