La Segunda Guerra Mundial ha terminado y Jap\u00f3n comienza a levantarse de entre sus cenizas. En los meses que van desde octubre de 1948 a junio de 1950, el tiempo que media entre el comienzo de las negociaciones para casar a una hija y el matrimonio, Ono, un anciano pintor, recuerda su vida y reflexiona sobre su carrera art\u00edstica, en un intento por comprender una realidad cada d\u00eda m\u00e1s ajena. \u00abNo s\u00e9 de ning\u00fan colega que pintara su autorretrato con absoluta honestidad\u00bb, declara Ono, y la pintura que va trazando de s\u00ed mismo y de su \u00e9poca es una versi\u00f3n susceptible de m\u00faltiples y contradictorias interpretaciones, una trama compleja de instantes perfectos y decisiones err\u00f3neas, de hero\u00edsmos y traiciones. Los triunfos del pasado de Ono quiz\u00e1 son ahora, como insin\u00faan sus hijas, que esconden sus cuadros, aquello de lo que deber\u00eda avergonzarse. Ono eligi\u00f3 abandonar las tradiciones pict\u00f3ricas de sus maestros, los pintores del mundo flotante de los barrios de placer, donde las cosas m\u00e1s bellas se construyen en la noche y se desvanecen en la ma\u00f1ana, para dedicarse a loar un presente m\u00e1s heroico y menos fugaz. Y ahora, el imperio militar que pint\u00f3 no es m\u00e1s que otro mundo flotante, desvanecido para siempre en la ma\u00f1ana del Jap\u00f3n \u00abdemocr\u00e1tico\u00bb de la posguerra…<\/p>\n","protected":false},"excerpt":{"rendered":"
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