Los monstruos no surgen de la nada. Son criaturas que tardamos en reconocer a trav\u00e9s de la bruma y que, antes de alcanzarnos, han hecho un largo y vacilante camino desde or\u00edgenes muy diversos. Un caso medi\u00e1tico de la cr\u00f3nica negra, un episodio hist\u00f3rico, un hallazgo cient\u00edfico, una creencia mitol\u00f3gica, un edificio maldito, una fantas\u00eda dist\u00f3pica, un trauma colectivo,… a veces cristalizan en nuestra imaginaci\u00f3n bajo una apariencia monstruosa, agudizada por un sentimiento muy familiar: el miedo.
A quienes siempre se han acercado al cine de terror con una mezcla de escepticismo y aprensi\u00f3n, les sorprender\u00e1 la enorme influencia de las veinticinco pel\u00edculas ilustradas y rese\u00f1adas en este libro, convertidas en cl\u00e1sicos y en iconos reconocibles para todo el mundo. Su diversidad, sus fuentes de inspiraci\u00f3n (casi siempre literarias), su calidad art\u00edstica y t\u00e9cnica y su frecuente car\u00e1cter intemporal, justifican la existencia de fieles y multitudinarios aficionados a la irrupci\u00f3n del terror en la pantalla. Uno de los g\u00e9neros cinematogr\u00e1ficos con mayor capacidad para que nos revolvamos en nuestras butacas, nos sintamos zarandeados en nuestras emociones y no nos recuperemos tan f\u00e1cilmente tras la palabra FIN.
(Alberto Gil)<\/p>\n","protected":false},"excerpt":{"rendered":"
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