Cr\u00f2niques de Palma \u00e9s un mosaic d’hist\u00f2ries que ens ofereixen un recorregut per un segle de vida palmesana, des de l’inici de la Guerra Civil fins a l’inc\u00f2mode futur del 2036, quan un estrany Virus i un estrany Fenomen han deixat una ciutat en ru\u00efnes on el temps sembla plegar-se sobre si mateix i passat i present esborren les seves fronteres. Hi trobarem personatges m\u00e9s o menys coneguts, com en Lloren\u00e7, un aspirant a escriptor que veur\u00e0 com la postguerra li obre la porta a un \u00e8xit que amaga una inf\u00e0mia secreta i un amor perdut; o en Llu\u00eds Petrus, el primer campi\u00f3 de judo mallorqu\u00ed, ara en plena decad\u00e8ncia, que es veu embolicat en una t\u00e8rbola trama on no \u00e9s ell el m\u00e9s fracassat, o en Biel, mestre represaliat, que molts anys despr\u00e9s descobreix la vida paral\u00b7lela que hauria pogut tenir.
Entre l’autoficci\u00f3 i la cr\u00f2nica, barrejant personatges reals i circumst\u00e0ncies inventades, l’autor ens presenta una Palma sorgida de velles fotografies en blanc i negre, una ciutat ja desapareguda sota la uniformitat de les franqu\u00edcies que nom\u00e9s podem evocar en records imperfectes i ficcions nost\u00e0lgiques.<\/p>\n
Dami\u00e0 Alou (Palma, 1959) \u00e9s autor d’in extremis (10.000 Humans, amb il\u00b7lustracions de Llu\u00eds Juncosa, 1989); de les novel\u00b7les Una modesta aportaci\u00f3n a la historia del crimen (Anagrama, 1991) i \u00c0liens (Ed. 62, 2014); dels llibres de poemes De l’aiguamoll (Emboscall, 2004) i fantasmes (LaBreu, 2018), i de l’assaig El reverso de la cultura (Anaya, 2017). Ha tradu\u00eft Dickens, Hardy, Capote, Larkin i Joyce (entre molts altres) i \u00e9s professor a la Facultat de Traducci\u00f3 de la Universitat Pompeu Fabra. Tamb\u00e9 ha col\u00b7laborat als suplements de llibres de La Vanguardia, el Diari de Barcelona, El D\u00eda de Baleares i l’Ara.<\/p>\n","protected":false},"excerpt":{"rendered":"
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