La sala capitular de la catedral de Barcelona cont\u00e9 en el seu sostre la representaci\u00f3 de Santa Eul\u00e0lia i Sant Oleguer transportats a la gl\u00f2ria celestial, i en els segments i llunetes laterals, seguint la tradici\u00f3 italiana, una representaci\u00f3 de virtuts i altres figures al\u00b7leg\u00f2riques que porten uns filacteris amb inscripcions de textos de la Sagrada Escriptura de l\u2019Antic i del Nou Testament. L\u2019autor \u00e9s el pintor Pau Priu, que es form\u00e0 en el taller de Joan Grau i entr\u00e0 a formar part del Gremi de Pintors l\u2019any 1700. L\u2019obra, finalitzada l\u2019any 1705, \u00e9s dif\u00edcil i atrevida, i est\u00e0 considerada un dels programes iconogr\u00e0fics m\u00e9s rics i complerts de la pintura catalana del segle XVIII.
Seguint el mateix esquema que ha utilitzat anteriorment per a l’estudi d’altres obres d’art religi\u00f3s catal\u00e0, Rosa Ribas en fa una an\u00e0lisi acurada i presenta una proposta did\u00e0ctica per als alumnes de batxillerat i que es pot treballar tamb\u00e9 a entitats culturals i escoles o centres d’art. La proposta permet treballar-hi des de perspectives diverses: hist\u00f2ria de l’art, hist\u00f2ria de Catalunya, religi\u00f3, simbologia religiosa… o millor encara, d’una manera interdisciplinar.<\/p>\n","protected":false},"excerpt":{"rendered":"
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