Bas\u00e1ndose en personajes y hechos reales, Andrea Camilleri reconstruye
la tormentosa relaci\u00f3n entre Alma Mahler y Oskar Kokoschka En 1912, un a\u00f1o despu\u00e9s de la muerte de Gustav Mahler, Alma, su joven viuda conoci\u00f3 al pintor Oskar Kokoschka. As\u00ed comienza su historia de amor, que pronto desembocar\u00e1 en una pasi\u00f3n tan desenfrenada como tumultuosa. Pero cuando Alma rompe brutalmente la relaci\u00f3n, Kokoschka, con el coraz\u00f3n destrozado, decide partir al frente. A su regreso, traumatizado por el conflicto y obsesionado a\u00fan con el amor perdido, encarga una mu\u00f1eca de tama\u00f1o natural con los rasgos de su amada. A partir de escritos biogr\u00e1ficos, cartas y otros materiales in\u00e9ditos, Andrea Camilleri reconstruye no solo la sobrecogedora historia de una desenfrenada pasi\u00f3n amorosa, en la que pugnan el genio art\u00edstico y la enfermedad mental, sino tambi\u00e9n una \u00e9poca crucial para el destino de Europa.La cr\u00edtica ha dicho… \u00abUna historia asombrosa y ver\u00eddica. Una cr\u00f3nica perversa en la que Kokoschka ejecuta con furia la matanza simb\u00f3lica de una mujer rebelde. Un mundo de proyecciones y mitos. El sue\u00f1o de Pigmali\u00f3n. Doctor Coppelius y Coppelia, su codiciado maniqu\u00ed. Los fetiches er\u00f3ticos de los cuerpos hinchables.\u00bb La Repubblica \u00abPor su capacidad para ahondar en un mundo que ya hab\u00eda visitado tanto y descubrir cosas nuevas, las novelas criminales o novelas negras de Camilleri ajenas al universo de Montalbano son su derivada m\u00e1s interesante.\u00bb El Pa\u00eds<\/p>\n","protected":false},"excerpt":{"rendered":"
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