Durante la \u00faltima d\u00e9cada del siglo XIX, Soloviov se concentr\u00f3 en reformular y organizar su sistema filos\u00f3fico a partir de los trascendentales del ser: la verdad, el bien y la belleza. As\u00ed, tras las extraordinarias lecciones sobre filosof\u00eda de la religi\u00f3n que integran su ‘Teohumanidad’, en 1897 public\u00f3 ‘La justificaci\u00f3n del bien’ y comenz\u00f3 a elaborar su metaf\u00edsica y su teor\u00eda del conocimiento en la inacabada ‘Filosof\u00eda te\u00f3rica’ (1897-1899). Por aquellos a\u00f1os, Soloviov apuntaba en sus cartas la intenci\u00f3n de editar una obra sobre est\u00e9tica, pero nunca se ha encontrado el manuscrito. La presente edici\u00f3n pretende completar este vac\u00edo.
La belleza es el fin al que aspira y tiende el universo. No se trata, por tanto, de un mero objeto de contemplaci\u00f3n, sino de una fuerza creadora y vital, capaz de actuar sobre el mundo y transformarlo. El artista debe continuar la tarea iniciada por la naturaleza.
Ahora bien, si pretende participar en la belleza del mundo, el artista debe comenzar transform\u00e1ndose a s\u00ed mismo interiormente y vencer la tentaci\u00f3n de su voluntad ego\u00edsta, que construye un mundo a su medida. Solo entonces podr\u00e1 recuperar el entusiasmo que nace de la acogida del amor que viene de lo alto.
Vlad\u00edmir Soloviov (Mosc\u00fa 1853-1900) fue un destacado fil\u00f3sofo, poeta y cr\u00edtico literario del Siglo de Plata ruso. Mantuvo una estrecha amistad con Dostoievski e influy\u00f3 en los principales movimientos culturales del primer tercio del siglo XX.<\/p>\n","protected":false},"excerpt":{"rendered":"
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