A mediados del s. XIII el monarca noruego H\u00e1kon H\u00e1konarson promovi\u00f3 una actividad cultural sin precedentes en las tierras del norte con la intenci\u00f3n de introducir las formas y modales cortesanos europeos en su pa\u00eds y emular a los soberanos de los reinos del sur del continente. Fruto de aquella pol\u00edtica art\u00edstica y cultural, fueron las traducciones y adaptaciones a la antigua lengua n\u00f3rdica de obras ampliamente divulgadas en las cortes europeas. Producci\u00f3n caracter\u00edstica de aquel per\u00edodo son las llamadas sagas de caballeros o riddaras\u00f6gur, basadas algunas de ellas en traducciones de textos de procedencia francesa, mientras que otras son obras de origen island\u00e9s salpicadas de elementos aut\u00f3ctonos n\u00f3rdicos y otros de origen extranjero.
Al primer grupo pertenece la versi\u00f3n de la celeb\u00e9rrima leyenda de Trist\u00e1n e Iseo que en 1226 llev\u00f3 a cabo cierto hermano Roberto por indicaci\u00f3n del propio H\u00e1kon. Basada muy probablemente en el roman de Tristan de Thomas, poeta normando de la corte de Enrique II de Inglaterra, la Saga de Trist\u00e1n e Iseo nos describe el infausto y atormentado amor de unos j\u00f3venes que no son sino juguetes en manos de un destino cruel y caprichoso.
La saga destaca por su estilo elegante, en ocasiones recargado y t\u00edpicamente cortesano, as\u00ed como por la presencia de elementos compartidos por otras sagas de caballeros y por las llamadas de los tiempos antiguos, ya conocidas por los lectores de esta colecci\u00f3n.<\/p>\n","protected":false},"excerpt":{"rendered":"
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