Aquest llibre \u00e9s un assaig sobre el saqueig d’art durant el per\u00edode nazi, quan Europa es va veure immersa en un terrible conflicte b\u00e8l\u00b7lic general. El llibre comen\u00e7a amb la justificaci\u00f3 d’aquest inter\u00e8s per l’art i la distinci\u00f3 que feia el r\u00e8gim entre art inspirat o bo i art degenerat, fruit del peculiar gust art\u00edstic de Hitler i de les tesis que va construir al seu voltant, g\u00e8nesi de les persecucions que emprendr\u00e0 el r\u00e8gim. El saqueig, que ser\u00e0 institucional, tindr\u00e0 tamb\u00e9 noms i cognoms concrets, des dels homes de G\u00f6ring a l’extensa xarxa de compradors i intermediaris i els llocs on van anar a parar aquestes obres. Per\u00f2, per comprendre el que va passar aquests anys cal tamb\u00e9 plantejar la reacci\u00f3 que van tenir els intel\u00b7lectuals i artistes europeus davant l’auge del nazisme a Europa i no nom\u00e9s a Alemanya o \u00c0ustria sin\u00f3, sobretot, a Fran\u00e7a, pa\u00eds que acollia als anys trenta l’elit cultural del continent. Els pa\u00efsos neutrals de la guerra tamb\u00e9 hi van participar, enriquint alguns personatges que van fer d”intermediaris. Cap\u00edtol especial mereix el rastre de l’art ensangonat a Espanya i Am\u00e8rica Llatina, aix\u00ed com al paper de Francesc Camb\u00f3 com a col\u00b7leccionista. El llibre tamb\u00e9 dedica un apartat a la destrucci\u00f3 de l’art religi\u00f3s a la zona republicana espanyola i les vies de sortida dels objectes confiscats. El llibre apunta tamb\u00e9 el paper de la Comissi\u00f3 Roberts i els programes aliats de recuperaci\u00f3 de l’espoli, aix\u00ed com una reflexi\u00f3 sobre el valor de l’art i la reparaci\u00f3 del dany.<\/p>\n","protected":false},"excerpt":{"rendered":"
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